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Audio Video Supervisor

Audio Video Supervisor

ABOUT US                                                                                                                                         

Deeply rooted in our local Beverly Hills community and influenced by cultural change, the Wallis Annenberg Center for the Performing Arts, a public-private partnership with the City of Beverly Hills, strives to be a site for the convergence of relevant, dynamic performing arts, education and civic life, strengthening our local and global community is our role as a presenter, producer, educator and community resource. We approach our work with the pioneering creative spirit of Beverly Hills and greater Los Angeles, while also recognizing that we live in a multi-cultural every-changing world guided by our core values of Trust, Artistic Courage, Enlightenment, Cooperation, Communication, Diversity, Equity and Inclusion, and Accountability. 

The campus itself is a breathtaking 70,000-square-foot facility celebrating the classic and the modern and has garnered six architectural awards. The restored building features the original 1933 Beverly Hills Post Office (on the National Register of Historic Places), which serves as the theater's dramatic yet welcoming lobby, and includes the contemporary 500-seat, state-of-the-art Bram Goldsmith Theater; the 150-seat Lovelace Studio Theater and an inviting open-air plaza for family, community and other performances.

ABOUT THE JOB                                                                                                                                        

The Audio/Video Supervisor directs and manages all aspects of A/V operation, and the coordination of technical elements as they relate to A/V across the Wallis campus, including in both the Goldsmith and Lovelace Theaters. This position leads and supervises all A/V personnel, maintains the A/V department equipment, and manages the A/V workrooms. The Audio/Video Supervisor is responsible for supporting the artistic vision of directors and designers as it relates to the advancement, budgeting, and realization of sound and video/projection designs. The Audio/Video Supervisor participates in conjunction with the Director of Production in season and production planning, as it relates to the execution of the audio or video/projection elements of the productions. For some programming, the Audio/Video Supervisor will work as a creative team member, designing sound and/or video/projection elements for the production. This position reports to the Technical Director and Director of Production.

WHAT YOU’LL DO                                                                                                                                  
 
  • Serve as the A/V lead for all events and shows. Serve as the Sound Designer as necessary for select events. Act as sound board and/or projection system operator, as needed. Manage and participate, as necessary, in changeovers, technical rehearsals, and previews to manage technical A/V needs;
  • Create and maintain all sound, video, and projection plots, system block diagrams or signal flow charts, operator instructions, and other related Vectorworks or AutoCAD documentation;
  • Lead, guide, and facilitate communication between the production department and sound and video/projections designers.  Work with designers to advance shows, plan and implement designs, and to prep and provide equipment necessary to tech and run shows. Assist sound and projection designers during tech and preview process, making suggestions and sharing ideas to solve problems, improve product, and facilitate changes when needed;
  • Manage and be responsible for A/V budgets and keep accurate records of spending for the department. Work with designers, directors, and production management to manage and maximize the artistic impact of financial resources. Evaluate designs, create materials, and assess labor estimates;
  • Maintain a clear understanding of all aspects of production in order to facilitate sound and AV needs throughout the build, rehearsal, technical rehearsal, running, and closing of each production and special events
  • Assist the Director of Production with season planning and budgeting as it relates to A/V needs of the productions. Participate in the planning and design of capital improvements for theatres, shops, offices, and equipment upgrades;
  • Maintain A/V equipment vendor relations. Work with A/V equipment vendors to secure all necessary gear for incoming productions. Receive and process all invoices from A/V equipment vendors;
  • Hire, train, and supervise A/V staff and over hire in the preparation, load-in/out, and maintenance of shows;
  • Organize and administer the A/V department including creation and implementation of a calendar, follow-through on design deadlines, scheduling and coordinating staff, and coordinating and supervising the preparation and installation of all A/V elements for each production. Maintain accurate inventories of all A/V equipment and track its use;
  • With production management, work to provide and maintain a safe working environment, including managing and providing training, equipment, recordkeeping, and incident reporting;
  • Collaborate with the other Production Department Heads in developing and maintaining technical manuals and procedures;
  • In conjunction with the rest of the production department, instruct crews, facility renters, and visiting productions on safety regulations, technical characteristics, and other areas of facility operations;
  • Participate to foster achievement of artistic goals of the theatre and insure quality and consistency, and maintain the highest production values for the WACPA by contributing in group discussion, meetings, post mortems, note sessions, etc. Attend full staff meetings, production head meetings, production department meetings, and post mortems as necessary;
  • Responsible for reading show reports, rehearsal schedules, and production calendars. Follow-up on applicable details/notes and communicate information to supervisors and staff as appropriate;
  • Collaborate with other departments as required to facilitate A/V needs for special events in the theaters and production center. Work with Education, Special Events, Marketing, and Development departments to help facilitate education shows and special programs. Teach workshops, talk about the company and your career with students, and meet with constituent groups to discuss ‘behind the scenes’ activities as necessary and as agreed;
  • Other duties as assigned.
 

SKILLS & EXPERIENCE NEEDED                                                                                                           
 
  • High School diploma required.  Bachelors degree or MFA preferred, or equivalent professional experience;
  • Current CPR and AED certification, ETCP Rigger-Theater and Entertainment Electrician certifications preferred;
  • Dante certification and a working knowledge of Q-sys required;
  • At least five years of experience working in sound and/or video/projections in a supervisor or managerial role within the entertainment industry. Specific experience in dance, music, and/or theater preferred;
  • Working knowledge of A/V network configurations. A practical knowledge of technical theater that includes sound, video, and projections practices and experience with a variety of audio reinforcement, control, basic recording, and intercommunications systems;
  • Ability to program and operate sound consoles and video/projection systems for tech and performances. Programming knowledge of Yamaha CL5 and DM7c is required. Barco 23b projector experience preferred;
  • Skills and experience troubleshooting and repairing A/V equipment;
  • Working knowledge of all aspects of theatrical A/V technologies and experience with a variety of A/V equipment;
  • Demonstrated leadership skills, experience working with designers and a strong understanding of other areas of production, ability to manage crews in multiple spaces;
  • AutoCAD and/or Vectorworks drafting skills preferred;
  • Proven ability to collaborate and creatively problem solve;
  • Strong written and verbal communication skills, and the ability to communicate clearly with artists and labor of varying backgrounds and abilities;
  • Clear understanding of the artistic process and excellent interpersonal, teamwork, and diplomacy skills.
  • Proven ability to work independently and collaboratively in a fast paced, rapidly changing environment;
  • Team player: works closely with Production Department Heads, Production Department Staff, Stage Managers and Production Supervisor;
  • Familiarity with proper safety protocols for theatrical productions required. OSHA certification and knowledge of fire codes preferred;
  • Ability to work a varying schedule, including nights and weekends;
  • Experience with touring productions and international artists is a plus.

BENEFITS                                                                                                                                                 
This position’s benefits are specified in the collective bargaining agreement with I.A.T.S.E.
                  
The Wallis Annenberg Center for the Performing Arts is an Equal Opportunity Employer committed to diversity and encourages applicants of any age, national origin, race, ethnicity, religion, sexual orientation, political affiliation, or gender.
 

The Wallis Annenberg Center for the Performing Arts is an Equal Opportunity Employer committed to diversity and encourages applicants of any age, national origin, race, ethnicity, religion, sexual orientation, political affiliation, or gender.

Average salary estimate

$75000 / YEARLY (est.)
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$90000K

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What You Should Know About Audio Video Supervisor, The Wallis Annenberg Center for the Performing Arts

Join the Wallis Annenberg Center for the Performing Arts in Beverly Hills as an Audio Video Supervisor, where your expertise will make a significant impact on the performing arts landscape. In this dynamic role, you'll take the reins on all aspects of audio and video operations across our stunning campus, which showcases the blend of classic and modern architecture. As the heart of our technical team, you’ll supervise a talented group while collaborating closely with directors and designers to bring their artistic visions to life, ensuring that every sound and projection captivates our audience. You’ll be involved in all aspects of the production process, from pre-production planning to technical rehearsals and final performances. Whether you're setting up and managing equipment, creating detailed plots, or maintaining our inventory, your attention to detail will shine through. Your leadership will guide not only the A/V department but also foster camaraderie among production teams. With a commitment to inclusivity and a passion for the performing arts, your role at the Wallis will positively influence the local community and contribute to a vibrant cultural dialogue. If you thrive in a fast-paced environment and love being part of something bigger, this could be your perfect next step!

Frequently Asked Questions (FAQs) for Audio Video Supervisor Role at The Wallis Annenberg Center for the Performing Arts
What are the main responsibilities of the Audio Video Supervisor at the Wallis Annenberg Center for the Performing Arts?

The Audio Video Supervisor at the Wallis Annenberg Center for the Performing Arts is responsible for directing and managing all aspects of audio and video operations. This includes overseeing A/V personnel, maintaining department equipment, coordinating technical elements for productions, and collaborating with production teams to ensure the artistic vision is realized. Additionally, this role involves managing budgets, supervising technical rehearsals, and maintaining safety protocols to support a successful performance environment.

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What qualifications are required for the Audio Video Supervisor position at the Wallis Annenberg Center?

Candidates for the Audio Video Supervisor role at the Wallis Annenberg Center should ideally hold a Bachelor's degree or an MFA, although equivalent professional experience is acceptable. A minimum of five years in a supervisory or management role within the entertainment industry, particularly in sound and video projections, is critical. Relevant certifications such as CPR, AED, ETCP Rigger, and Dante certification are preferred, alongside practical experience with A/V network configurations and technical theater practices.

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How does the Audio Video Supervisor at the Wallis collaborate with other departments?

The Audio Video Supervisor at the Wallis Annenberg Center for the Performing Arts plays a key role in collaborating with various production department heads to facilitate A/V needs for events and performances. This position involves communication with education, marketing, and development departments for special programs, ensuring that all audio and video aspects align with the artistic goals of the theater. Strong interpersonal skills and a team-oriented approach are vital for success in this collaborative environment.

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What is the work schedule like for the Audio Video Supervisor at the Wallis Annenberg Center?

The work schedule for the Audio Video Supervisor at the Wallis Annenberg Center is quite flexible but will often involve nights and weekends, especially during show runs and technical rehearsals. This is to ensure all aspects of the audio and video elements are ready for performances. Candidates should be adaptable and ready to engage with varying schedules as part of the dynamic performing arts environment.

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What type of environment does the Wallis Annenberg Center provide for the Audio Video Supervisor?

The Wallis Annenberg Center for the Performing Arts fosters an inclusive and diverse work environment where creativity thrives. The A/V Supervisor will be part of a supportive team focused on achieving artistic excellence while maintaining the highest production values. With a breathtaking campus and an emphasis on community engagement, this role offers a unique opportunity to shape the A/V landscape in the performing arts sector.

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Common Interview Questions for Audio Video Supervisor
Can you describe your experience with sound console programming for productions?

When answering this question, focus on specific sound consoles you've used, such as Yamaha CL5 or DM7c, and detail your proficiency in programming for various performances. Share examples of productions where your skills in programming contributed to the overall success in delivering sound. Mention how you troubleshoot issues during live performances and work collaboratively with the production team.

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How do you ensure safety in the technical crew during performances?

It's essential to discuss your approach to safety protocols, including training for the crew on equipment use and emergency procedures. Highlight your familiarity with OSHA standards and how you instilled safety practices amongst team members. You can also mention specific experiences when your safety management made a difference during production challenges.

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What strategies do you employ to manage A/V budgets effectively?

Explain your process for maintaining financial records, prioritizing expenses while maintaining artistic integrity. Provide examples of how you've evaluated designs against budget constraints in past positions, and how you collaborated with directors and designers to maximize efficiency and impact without overspending.

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Tell me about a time you encountered challenges during a technical rehearsal. How did you handle it?

Share a specific challenge you faced in a technical rehearsal, outlining the steps you took to solve the problem, including your communication with the team and designers, as well as any creative solutions you implemented. Emphasizing teamwork and problem-solving skills would be advantageous in your response.

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How do you stay current with advancements in A/V technology?

Discuss the resources you utilize to stay engaged with the latest A/V technologies—whether it's attending conferences, participating in workshops, or simply keeping up with industry publications. Mention how you’ve implemented new technologies within your previous roles to enhance productions.

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Describe your experience with Vectorworks or AutoCAD drafting skills.

Share examples of how you've utilized Vectorworks or AutoCAD in past projects, including the type of A/V documentation you've created such as plots and diagrams. Illustrate how your drafting skills have contributed to effective communication and execution of technical designs during productions.

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How do you foster a collaborative environment among your team and designers?

Highlight your communication style and how you encourage input from all team members. Discuss specific strategies you’ve used to promote collaboration, such as regular meetings, brainstorming sessions, or even social events that help build rapport and trust among the team.

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What do you see as the biggest challenges facing A/V supervisors in the performing arts?

This is a great opportunity to demonstrate your industry knowledge. You might discuss rapid technological changes, budget constraints, or the pressure of ensuring high-quality productions. Then, offer how your experience has prepared you to meet these challenges with creativity and resilience.

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Can you explain your experience with vendor relations and managing equipment orders?

Support your answer with examples from past experiences, detailing how you established and maintained relationships with vendors. Discuss your methods for negotiating pricing or quality standards and how this contributed to smoother production processes on occasions.

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What role do you think A/V plays in enhancing the overall audience experience?

Articulate your understanding of how impactful sound and video are in creating immersion for the audience. Provide thoughtful examples from your previous work where A/V design significantly enhanced production quality and audience engagement.

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MATCH
VIEW MATCH
SENIORITY LEVEL REQUIREMENT
TEAM SIZE
EMPLOYMENT TYPE
Full-time, on-site
DATE POSTED
March 30, 2025

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